It seems a little wacky to modern sensibilities, but keep in mind that this was
晚上7点半，《重庆·1949》准时上演。头戴翻译耳机，来自俄罗斯的格里夫妇看得格外认真。这部舞台剧以1949年重庆解放前夕为历史背景，讲述红岩英烈们在狱中坚贞不屈、慷慨赴死的故事。
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The upshot: I struggle to imagine a process whereby an obscure English children’s game somehow inspired gestural customs in Georgia, Egypt, Russia, and Iran within less than a century. It seems more reasonable to me that these customs might instead originate in an ancient Mediterranean tradition of apotropaic magic, or charms intended to combat bad luck.